A Caltagirone Spree

May 2, 2010

“Where come from?” asks an artisan who stands puffing a cigarette in a doorway in Caltagirone. He looks like a Sicilian baron, with lush lips, an important nose, and hair shiny with pomade.

The U.S.”

“Ah! I have cousin Stefano Battaglia, he live in New Jersey. Maybe you know?”

“No0000. It’s a very big place!”

“Take me to America!” the man says with a sudden smile. “America more beautiful than Sicilia.”

I wonder why Sicilians always respond like this when I say where I’m from. Are they hungry for a compliment or do they really believe America is a better place?

When I tell him Sicily is più bella, he frowns, like he doesn’t believe me.

I’m in Caltagirone for my ceramics fix. Some recent purchases: a fragile pot, pasta bowls, and a holy water font, all in Caltagirone’s colors of citrus yellow, Ionian blue, and basil green.

Caltagirone Ceramics, photo by Jann Huizenga

Little mom and pop shops brimming with tiles and jugs and mugs line the famous stairway. The quality varies, and you have to bargain. Some of the best artists are represented in the Palazzoceramico, on your right after you’ve gone up a handful of steps. There’s a museum and a cute coffee shop inside, too.

Or you can fuel up on espresso on the main piazza, Piazza del Municipio. Go up the staircase into the big building with the three arches, and you’ll bump into this cafe.

Caltagirone Cafe, photo by Jann Huizenga

Crane your head upwards and a huge, tangled battle scene with the Moors will come into view.

Caltagirone Mural, Photo by Jann Huizenga

Caltagirone is one of the eight baroque World Heritage Sites in southeast Sicily. It has lush churches, a superb ceramics museum and pretty gardens. Restaurants are few and far between, but I can recommend la Piazzetta for its good quality and prices (try the cool semifreddo with warm chocolate sauce for dessert). Shops close between 1pm and  4pm (of course), but most are open on Sunday.

Caltagirone Church, photo by Jann Huizenga

One more thing: Don’t forget to strike up a conversation with the charming pensioners standing in clumps all over town.

Have you been? Do you have other recommendations?

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Seafood Alla Siciliana by Toni Lydecker You can win this cookbook!

Toni Lydecker’s Seafood alla Siciliana is somewhat smaller than coffee-table size, with thick, glossy paper, wonderful recipes, very pretty photos, and stories about Sicily’s cuisine. All you have to do is leave a comment on any of my blog posts between now and May 9, and I’ll enter your name for a random drawing on May 10, 2010. (You can enter one comment a day, max.) The only hitch is that you must provide a US or Canadian address for the shipping, so my apologies to readers on other continents.

Restoring a Damp House in Sicily, Part 8

April 26, 2010

Tragedy in the bathroom.

Remember those beastly expensive Italian glass tiles I naively ordered?

These are them, installed.

When I sprayed glass cleaner over my new sea-blue walls, wiping away the obscuring film of white plaster the mason had left, I could not believe my eyes. Not a single straight line! As if an ill-tempered four-year old had been hard at work.

How could I have allowed this to happen, you ask?

Well, early in the day, curiosity kept prompting me to run down two flights of stairs and check on the work. After 30 minutes of this, the mason said I made him nervous, and would I please go away and cease to bother him? The work is molto delicato, he said, and it is necessario to concentrate and be left solo.

And so away I went, full of cockeyed hope that I’d soon have a useable bathroom.

I returned to the house after two days, descended into the winery-cum-guest quarters and beheld anarchia. Thousands of tiny mosaic tiles stuck willy-nilly onto the wall. I felt like I’d been gored.

But I refused to face reality. Don’t panic, I told myself. It’s rustic. Rustic is good. It fits the theme of the wine cantina. Molto rustico! Charming in its own way. Isn’t it? Isn’t it?????

I called over a few friends to have a look. Horrid, they said, daring to utter the bald truth. Really horrid.

It doesn’t look bad from afar, though, does it? If you kind of … squint at it?

Now what do I do.

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Restoring a Damp House in Sicily, Part 7

April 12, 2010

Into the cramped space under this arch—hardly big enough for a closet—I plan to stuff an entire bathroom: sink, toilet, shower, heat rack, mirror, towel racks. The project manager is insisting on a bidet (he says no Italian can live without one), but you’d have to put your foot in the bidet to squeeze into the shower.

This is part of the cantina, the old wine cellar that is slowly morphing into guest quarters.

I plan to expose as much stone as possible inside and above the arch. The back wall, which needs to be waterproof, will be a sea of tiny tiles. Tiles the blue of a storm-tossed Ionian Sea.

Beastly expensive tiles.

I knew nothing about the cost when I ordered. I didn’t bother to ask the price. I figured: they’re just tiles made right here in Italy, not some expensive import. How much could a few little tiles cost?

The boxes finally arrived from Milan, along with the bill. My eyes popped. I had to read it over and over. I could feel my face on fire.

“Well, you ordered glass tiles,” the project manager says. What did you expect?”

I did notice how lustrous they were, but I had no idea they were glass.

I thumb through the instruction manual that comes with the tiles. The installation looks complicated. “Are you sure the mason is up to this?” I ask the project manager. The mason seems to have perfected the art of banging and pounding, but I’ve never seen him do anything delicate with his thick, calloused hands. Do I trust him with my treasures? Has he ever installed anything of the sort?

Non preoccuparti,” says the project manager, winking. Don’t worry.

This is the favorite phrase down here. It usually means trouble.

But who am I to argue?

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Sicily, and a Nostalgia for Lace

April 5, 2010

Like spun sugar.

Snow white.

Sicilian lace, full of grace.

Lace at Sicilian Window, copyright Jann Huizenga

Sicilian Lace in Window, copyright Jann Huizenga

Sicilian Woman Working on Lace, copyright Jann Huizenga

It’s women’s work, an eye-straining affair.

Sicilian Lace on Door, Siracusa, Sicily, copyright Jann Huizenga

Sicilian Lace on Door, Sicily, copyright Jann Huizenga

Twenty years ago Sicily’s shops brimmed with handmade local lace. Now it’s often made in China.

Antique Sicilian Lace Panel, copyright Jann Huizenga

Sicily’s art of lacemaking is dying, and isn’t that a shame?

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Note for tourists: There’s a fine little museum of Sicilian hand embroidery and lace in Chiaramonte Gulfi in southeastern Sicily (a hilltop village also known for its olive oil museum and pork restaurant, Majore).


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Arches & Moors: Restoring a Damp House in Sicily, Part 6

March 30, 2010

Surprise! The 20th-century layers have been chipped off my walls, and I think we’ve found—in addition to big old blocks of Norman stone—some traces of Arab architecture.

North African Moors ruled Sicily for only a couple of centuries more than a millennium ago, but their influence on the island was, and is, huge.

Before I show you my little discovery, take a good look, if you will, at these keyhole-shaped doorways in North Africa.

Moroccan keyhole door, copyright Jann Huizenga

Man Praying in Fez Mosque, Morocco, copyright Jann Huizenga

OK, now compare those doorways with the one below in my house. The arch shape turned up when we pulled off the modern wooden door frame. Don’t you think it looks vaguely Moorish in design?

Arch in House in Ragusa Ibla, Sicily, Copyright Jann Huizenga It’s not as beautiful as those North African doors, I know, and the curved thingamajig is way up top rather than in the middle of the arch, but still … it makes me wonder. It’s certainly not a pure Roman or Greek arch (more on that below).

I now have three of these vaguely Moorish arches on the top floor of my casa.

The house is a historical puzzle. The top floor, I’m quite sure, was built sometime soon after the 1693 earthquake that leveled not just Ragusa Ibla, but much of southeast Sicily.  As I’ve mentioned earlier, the stone blocks in this doorway and elsewhere in the house were looted from the Norman castle that stood on this site and crumpled in that quake. (I know this only because neighbors have told me.)

So, assuming the above timeline, this means that 700 years after the Moors left Sicily, local Sicilian builders still carried traces of their Arab heritage in their builders’ DNA.

Everything here is so knotted and twisted together; it’s hard to tease out the many strands of history from all the superimposed cultures and styles. Layers upon layers—that’s what Sicily is all about.

The house becomes older the lower you go. The bottom floor used to be a cantina, a place where wine was made and stored (soon to be guest quarters). The arch down there seems Greco-Roman in style, an uninterrupted curve.

Arch in a House in Ragusa Ibla, Sicliy, copyright Jann Huizenga

When was it constructed? Stay tuned. Maybe someday I’ll figure it out. Perhaps you have an insight?

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For more on the Muslim rule of Sicily, click here.

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