May 17, 2010
Doing the bathroom twice was not fun.
In the aftermath of Round One, I was tempted to give up and flee Sicily for good.
 Results of Round One
“You get no respect from your crew,” noted a friend. She persuaded a local bigwig to throw his weight around, Sicilian-style, as my proxy.
That did the trick.
Early one morning a new piastrellista, tile setter, showed up on my doorstep smelling of cologne and rubbing sleep from his eyes. He toiled away in a no-nonsense fashion, furiously attacking his predecessor’s work. Glass shattered kaleidoscopically.
“Io sistemo tutto,” he kept repeating. I systematize all. (Sistemare is one of the highest Italian virtues.)
To fuel his fury, I ran to the local bar for tiny cups of thick black coffee and sweet ricotta tarts.
Round Two produced an apple-green bathroom. The tiles are ceramic and plain—not the pricey designer ones of yore. But you know what? Good riddance to those fancy-pants glass tiles. I like the brighter cheap-o ones better.
 Results of Round Two
I hate to trivialize Andre Gide’s words by using them in this mundane context, but I’ll do it anyway: “One does not discover new lands without consenting to lose sight of the shore for a very long time.”
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May 6, 2010
My kitchen sink arrived from Tuscany in a beat-up truck with a blue plastic curtain. The truck came to a halt in front of the house. A burly driver got out and slowly slid open the curtain to unveil the sink as if were an opera d’arte.
Which, in a way, it is.

Having walked into my renovation blind as a bat, I’ve been, generally speaking, a catastrofista. But not this time. The sink is perfect. It’s made of graniglia—whatever that is—and is supple as silk. I run my hands over it the way you’d stroke a cat.

It awaits a backsplash of colorful Caltagirone tiles.
I no longer need to bathe from two old buckets or stoop over an old shower drain to brush my teeth. I have a sink!
I’ll be washing dishes in this sink soon. That’s right: No dishwasher.
My life in Sicily is all about getting into the rhythms of a slow island life, stepping back into another century, learning to dawdle. Less is more is my new mantra. This does not mean that I’ll give up my computer and subsist on snails and wild chickory, but it does mean I’ll forgo a dishwasher. A dryer, a freezer, a car. Even a TV. I’ll start savoring the way stars light the night. The way vines drip with grapes. The way doves strut and coo on bleached terracotta roofs.
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You can win this cookbook!
Toni Lydecker’s Seafood alla Siciliana is somewhat smaller than coffee-table size, with thick, glossy paper, wonderful recipes, very pretty photos, and stories about Sicily’s cuisine. All you have to do is leave a comment on any of my blog posts between now and May 9, and I’ll enter your name for a random drawing on May 10, 2010. (You can enter one comment a day, max.) The only hitch is that you must provide a US or Canadian address for the shipping, so my apologies to readers on other continents.
April 26, 2010
Tragedy in the bathroom.
Remember those beastly expensive Italian glass tiles I naively ordered?

These are them, installed.
When I sprayed glass cleaner over my new sea-blue walls, wiping away the obscuring film of white plaster the mason had left, I could not believe my eyes. Not a single straight line! As if an ill-tempered four-year old had been hard at work.
How could I have allowed this to happen, you ask?
Well, early in the day, curiosity kept prompting me to run down two flights of stairs and check on the work. After 30 minutes of this, the mason said I made him nervous, and would I please go away and cease to bother him? The work is molto delicato, he said, and it is necessario to concentrate and be left solo.
And so away I went, full of cockeyed hope that I’d soon have a useable bathroom.
I returned to the house after two days, descended into the winery-cum-guest quarters and beheld anarchia. Thousands of tiny mosaic tiles stuck willy-nilly onto the wall. I felt like I’d been gored.
But I refused to face reality. Don’t panic, I told myself. It’s rustic. Rustic is good. It fits the theme of the wine cantina. Molto rustico! Charming in its own way. Isn’t it? Isn’t it?????
I called over a few friends to have a look. Horrid, they said, daring to utter the bald truth. Really horrid.

It doesn’t look bad from afar, though, does it? If you kind of … squint at it?
Now what do I do.
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April 12, 2010

…
Into the cramped space under this arch—hardly big enough for a closet—I plan to stuff an entire bathroom: sink, toilet, shower, heat rack, mirror, towel racks. The project manager is insisting on a bidet (he says no Italian can live without one), but you’d have to put your foot in the bidet to squeeze into the shower.
This is part of the cantina, the old wine cellar that is slowly morphing into guest quarters.
I plan to expose as much stone as possible inside and above the arch. The back wall, which needs to be waterproof, will be a sea of tiny tiles. Tiles the blue of a storm-tossed Ionian Sea.
Beastly expensive tiles.
I knew nothing about the cost when I ordered. I didn’t bother to ask the price. I figured: they’re just tiles made right here in Italy, not some expensive import. How much could a few little tiles cost?
The boxes finally arrived from Milan, along with the bill. My eyes popped. I had to read it over and over. I could feel my face on fire.
“Well, you ordered glass tiles,” the project manager says. What did you expect?”
I did notice how lustrous they were, but I had no idea they were glass.
I thumb through the instruction manual that comes with the tiles. The installation looks complicated. “Are you sure the mason is up to this?” I ask the project manager. The mason seems to have perfected the art of banging and pounding, but I’ve never seen him do anything delicate with his thick, calloused hands. Do I trust him with my treasures? Has he ever installed anything of the sort?
“Non preoccuparti,” says the project manager, winking. Don’t worry.
This is the favorite phrase down here. It usually means trouble.
But who am I to argue?
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