Maltese Magic

June 4, 2011

So I abandoned my beloved Sicily for a few days and ran off into the arms of Malta.

My new love lies some 90 kilometers south of Sicily, a 90-minute catamaran trip from Pozzallo.

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Views of Valletta: Accented in Vermillion, Violet & Verdigris.

View of Valletta, Malta, copyright Jann Huizenga

Red Door in Valletta, Malta, copyright Jann HuizengaBlue door in Valletta, Malta, copyright Jann HuizengaGreen balconies in Valletta, Malta, copyright Jann HuizengaGirl playing soccer in Valletta, Malta, copyright Jann Huizenga

Green grocer in Valletta, Malta, copyright Jann HuizengaHarbor in Valletta, Malta, copyright Jann HuizengaBalcony in Valletta, Malta, copyright Jann Huizenga

Street Scene in Valletta, Malta, copyright Jann Huizenga

Blue balcony in Valletta, Malta, copyright Jann Huizenga

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The boat trip is €58 round trip on virtu ferries (don’t try to access this via Safari).

Recommended hostel in Valletta: Palazzo Sant Ursula.

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Book Giveaway: Sweet Lemons 2

April 8, 2011

The second volume of Sweet Lemons is out, and thanks to Legas, the publisher, I have a copy to give away.

Edited with love by Venera Fazio and Delia De Santis, Sweet Lemons 2: International Writings with a Sicilian Accent is almost 400 pages long and contains stories, poems, and essays by 90 writers–most from the Sicilian diaspora. There are also some Sicilian writers in translation (Vittorino and Camilleri, to name a few) and the odd contributor like me who hasn’t got a goccia of Sicilian blood.

To be eligible to win this book, all you have to do is add a comment to this post or to another recent post (scroll down on my homepage to see which posts are not yet closed to comments) before April 14.  You’ll also need a mailing address in North America.

Sweet Lemons 2: Writings with a Sicilian Accent

In “Lemon Ice Cream” Kenneth Steven remembers his early years living under Mount Etna:

If I close my eyes now, very tightly, I can smell everything. The ice cream that my father is scooping into bowls in green-white curves, the little kitchen with its open dishes of herbs and its baskets of vegetables. The windows are open and all of us–my mother, my brother, my father and me–we are all looking out onto the umber sea of the fields, and the scent that is coming in is from the lemon grove…

In an excerpt from Conversazione in Sicilia translated by Isabella Colalillo Katz, Elio Vittorini remembers riding on a Sicilian train:

The stations went by, one by one, little wooden cabins with the sun shining on the red caps of the station masters; and the forest opened and closed with prickly pears tall as forks, like cerulean stones. And whenever we saw anyone, a boy coming or going along the track picking the fruit crowned in thorns that grew like coral on the prickly pear plants, he would shout as the train went by…

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Ti Amo: Walled Passion in Sicily

February 14, 2011

Heart Graffiti in Ragusa Ibla, Sicily, copyright Jann HuizengaTi Amo Graffiti in Sicily, copyright Jann Huizenga

Ti Amo Graffiti in Sicily, copyright Jann Huizenga

Ti Amo Graffiti in Sicily, copyright Jann HuizengaLove Graffiti in Sicily, copyright Jann HuizengaTi Amo Graffiti in Sicily, copyright Jann Huizenga

Love Graffiti in Sicily, copyright Jann Huizenga

Buon San Valentino!

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My Roman Reality Show

December 28, 2010


Before 2010 gives us the slip, I’d like to share a true story published in this 2010 Travelers’ Tales anthology. My Roman Reality Show is based on the 10 months I spent in Rome a few years ago while trying to situate myself in Sicily. The story shows a small slice of my life during that time–what I witnessed from my apartment window in Rome. Happy reading!

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My Roman Reality Show

The TV sat dark in my Rome apartment. I spent all my spare time at the window studying the players on the piazza—the Gypsy, the Sweeper, the Cat Lady, the Reader, the Abuser, the Santas and the Sentries—always those ominous Sentries.

The night of my arrival in early September, a torrid wind blew the scent of oven-baked dough through the open window, along with the wheezing melody of “My Way.” I stared at the Gypsy with a jaunty straw hat and a cigarette pinched between his teeth. He sat outside a pizzeria pushing and pulling a red accordion like taffy over his fat paunch. A bright moon sailed overhead.

The next morning, after a night of Roman revelry, my piazza brimmed with trash. The Sweeper turned up in orange plastic pants. She raked a broom over the black cobbles like a toothbrush on rotten teeth. Then she fished out her cell phone and plunked down on a stone bench for a gabfest, as she’d do most mornings for the next ten months.

I watched a stray dog lap from the fountain—one of those big-nosed fountains (nasone) with no turn-off valve that Rome is famous for.  The dog trotted off when a woman shuffled over in fuzzy pink house slippers to fill a plastic bottle. The sun bounced off luscious walls that made me think of Italian ices: mandarin, citrus, and melon. I inhaled the jasmine that framed my window and counted seventy-five other windows overlooking the piazza.

Roman piazza, copyright Jann Huizenga

As September rolled along, the Cat Lady—the self-anointed concierge of the piazza—and I took each other’s measure. We lived on the primo piano in opposite buildings, in such proximity that we could have played catch with a ball of mozzarella. She spied on me and I peeped at her, though we never made real eye contact. I suppose she’d describe me as a lonely straniera who hung from the window shouting gibberish into a telefonino. She tossed breadcrumbs to doves and kept order on the piazza by waggling a finger at littering tourists and illegal parkers. Both she and her fat pussycat had poofs of gray hair and spent their days at the window ledge nuzzling and grooming. The cat would lick her fingers clean, and she’d brush him with long, slow strokes. Hairballs somersaulted like tumbleweed across the piazza, into the melted goo of abandoned ice cream cones.

Every ten minutes or so, there was a sudden rush of Romans into the piazza from the Cavour subway exit a block away—men in sleek suits and cool shades and perfect women in tall, pointy, clacking shoes. They rode in on a powerful tide and then ebbed away, dissolving into the many tiny alleyways radiating from the piazza.

Late at night, young men would drink beer and unroll sleeping bags on the hard stone benches, stuffing backpacks under their heads as pillows. They’d crawl away each morning when the Sweeper poked them with her broom.

In mid-October I began to notice the Sentries. The first one I spied was a swarthy smoker—Turkish or Tunisian, I thought—wearing a hooded parka, an odd getup given the warm weather. I tried to focus on my computer screen but the Sentry kept drawing me back to the window. He sat hunched on one of the stone benches, flipping through La Stampa and checking his watch, but mostly staring fixedly to the west. After an hour of this, I poked my telephoto out the window. I felt quite certain the carabinieri might someday need the evidence. What was the crime? I didn’t know yet. Click. Click. Click. He raised his eyes. I scooted behind the curtain and into the kitchen. When I returned with a mug of hot coffee he was gone.

Another soon took his place—a wiry man with icy eyes who could have been a brother to Putin. He stood by the fountain looking in the same direction, lighting up, drawing hard on a cigarette, then throwing the butt over his shoulder. Ninety minutes passed. I snapped another photo then went to the kitchen for tea. When I returned, he too had vanished.

These same Sentries kept returning, but so did Chinese, Central Asian and African men, most of whom parked themselves on the same stone bench and stared west. Who were they? I became obsessed. When they raised their eyes slightly, I began to worry that they were onto me.

In November, the Reader—a slender girl with platform shoes—began appearing on a stone bench. Like a heliotropic flower, she’d turn up for an hour of afternoon sun, a bit later each day as fall wore on. She’d fish her glasses from a bag, open a hefty novel that she held on her lap like a brick of gold, and sit ramrod straight, lost in a fantasy world, her silky black hair draping her cheeks like drawn curtains. The sun crawled low against the sky as she read, and when it slipped away, she did, too.

It was Roman men, not women, who would pause to primp in the side mirrors of parked motorini. Italian newspapers reported that Italian men were vanitosi, vain, mammoni, mama’s boys, and came in last as amante, lovers, in some recent UK survey.

In early December, a crew of young workers—Romanian? Albanian?—pulled up the cobbles to lay down pipes. They worked much harder than Romans and wore sweatshirts that said Yale, or Notre Dame, or Michigan. The Santas arrived in December, too—not one, but a quartet of them, in single file. The lead Santa blew on a trumpet while another bawled a cheery “Buon Natale!” that boomeranged around the piazza like an Alpine yodel. I hung out the window and when they shouted for a donation, I tossed it into an elastic red pouch.

One day in mid-January, after days of cold rain, a ray of sunlight sliced a black cloud to flood the piazza with yellow.

Don’t let the su-u-un go down on me…

I ran to the window. The pizzeria had put its speakers out on the street. Elton John’s voice poured like old wine through the piazza, drawing radiant faces to every window. I inhaled meaty odors and felt wildly happy.

One morning in March, I heard the Abuser. After a terrible rant, flesh smacked flesh and then a thick high whimper pierced the piazza. I knew her as the frail woman who tended window geraniums on the secondo piano opposite me. Neighbors hung from windows as if from theater balconies. It went on forever. I rushed around looking for the phone book then flipped through it until I landed on a numero azzuro, a blue number, to report child abuse. By the time I dialed, the piazza had gone eerily quiet. The operator could do nothing, she said, no child was involved. At the police station the next day, I was handed a number to call for domestic abuse. I kept it by the phone for future reference. But within a few weeks the Abuser’s windows were shuttered tight, his geraniums dead.

One morning in April, I awoke early and looked out the window. A large suitcase, open like a book, had heaved its contents onto the cobbles. A ruffly skirt printed with pink peonies, a jacket to match. A pleated skirt, a crisp white blouse. Someone had waited all her life to come to Rome, bought a new spring wardrobe, and now this. It made me sad. Back to the police station I went, but the treasure trove had been picked clean by the time an officer appeared.

The Sentries kept coming. One was a black woman in a furry white jacket and running shoes. She held a blue coat over her arm and spent a motionless hour on the Sentry bench, head craned to the west. Then she unglued herself from the bench and was gone.

In May I wandered off the piazza and into one of the dark alleys I’d never before set foot in. Girls of every race sashayed down the streets in zebra boots, blond wigs, corsets, and hot pants. But of course! That explained the Sentries.

But mysteries remained. Why was the woman in the pink beret crying on a stone bench one cold day in January? Why did a fellow survey the piazza at eye level one morning in March and then haul out his unit to urinate in the dwarf palm? Had he simply forgotten about the eyes in the seventy-five windows above him? Who had lost her suitcase? And why do Rome’s nasone never stop running?

Roman nasone, copyright Jann Huizenga

The hot nights came back. The Gypsy turned up again to play “My Way.” I wanted to stay and see the whole show over again. But it was time to close the window and go home.

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Shabby Chic Scicli, Sicilia

May 25, 2010

Can you say that five times, fast?

Pronounced chic-ly, Scicli is not at all chic, though I suppose you could call it shabby chic. It’s got that vintage, distressed look—complete with a baroque voluptuousness, flakey paint, and mottled sandstone walls.

Windows in Scicli, Sicily, copyright Jann Huizenga

Go if you like out-of-the-way little gems.

It was a Moorish town a millennium ago, later a Norman one, and was rebuilt in the Baroque style after the 1693 quake. Then Time forgot little Scicli until it was declared a World Heritage Site in 2002. It is slowly waking up from a long torpid slumber.

Church in Scicil, Sicily, Copyright Jann Huizenga

It has its share of ogres, meant to keep foreigners and evil spirits at bay.

Ogres in Scicli, Sicily, Copyright Jann Huizenga

Hike up to the decaying Church of San Matteo if you dare. You’ll be amply rewarded with stunning views: a sapphire sea on your left and a town that looks like a stage set at your feet.

Church of San Matteo, Scicli, Sicily, copyright Jann Huizenga

Enrico Guglioto of Pomodoro restaurant, Scicli, Sicily, copyright Jann Huizenga

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The best place in town for lunch is Pomodoro, owned by Enrico Gugliotto (pictured here) and his brother Giuseppe (in the kitchen). It’s about a five minute walk from the baroque heart of Scicli (Corso Garibaldi 46, closed Tuesday, 0932.931.444).

And check out the gorgeous Scicli cemetery if you’re into stone cherubs and angels. It’s just outside of town.

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Readers, can you help me? Will you consider voting for my Sicily photograph in the Islands poll? Here’s the link. The link will bring you to a photo I shot of a Sicilian woman in Capo Passero (in the extreme southeast corner of Sicily). You can vote by clicking on *My Favorite* underneath the photo. (I could win a photography course and you could win a camera!) GRAZIE MILLE! (To see thumbnails of all 22 photos in the competition, click this link.)

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