January 24, 2010
I had cast myself into a new life with all my heart.
But I’d forgotten my head.
Cold reality soon set in. My new digs recalled the toilets at Penn Station: grimy white bathroom tiles were glued to every available surface. Water stained floors and ceilings.
I dropped by the comune to ask about getting a building permit for a renovation—secretly hoping they’d wave me away with the well-worn Sicilian phrase Non preoccuparsi!, Don’t worry, and tell me to go do as I pleased.
Not quite. A goggle-eyed man in a pink cravat presented me with a garbage pail and a list.
A list so long and bewildering it brought tears to my eyes. I’ve translated it to the best of my ability (italics mine).
I’m so doomed.
graffiti on the back of my house
***
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January 21, 2010
Here’s how I got into trouble.
After teaching a short course in Ragusa in 2002, I’d returned year after year to Southeast Sicily to root around for a little casa. The Fates pushed back with all their might and I finally admitted defeat.
In the spring of 2007, I came to see friends one last time and close the Sicilian chapter of my life. Ciao, Sicilia.
A day before bidding the island farewell, I scaled the long staircase up from Ibla’s Piazza Duomo to see the cupola from on high. After many years cocooned in scaffolding thick as wool, it had reemerged triumphant.
It looked good enough to eat, like whipped cream on a tumbler of granita. I felt a secret joy. Bells tolled, clouds slipped up from the valley. I inhaled la zagara—orange blossoms on the breeze—like a drug.
I turned. There, on an unassuming little row house with a mottled wall and weatherworn door, I saw the magic words: VENDITA.
I saw. I called. I bought. Cast myself into a new world just like that. 1-2-3.
Never imagining for a minute what was in store.
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January 12, 2009
A reader emailed to ask me about Arab influences in southeast Sicily—in addition to the majolica mentioned in my last post.
There are so many leftover traces!
I want to share a personal story.
Do you see the man on the left, in the baseball cap? That’s Emanuele, assistant to my beloved (new) stonemason, Giorgio, the cap-less fellow, who warbles Sicilian love songs as he works, though that’s beside the point.
Here is a typical exchange between Emanuele and me:
Me, shaking his hand: A domani! See you tomorrow!
Him: Se Dio lo vuole, if God wills it.
Me: I think you’ll be able to finish tiling around the bidet.
Him: Se e la voglia di Dio, if it is the will of God.
When I first met Emanuele, I’d just returned from Morocco, where Inshallah, God willing, is a constant refrain. The fact that he used the same refrain astonished me. Curiosity got the better of me and I asked if he was Muslim.
His eyes bulged from their sockets at this suggestion, and his head jerked back on his thick neck (an Arab gesture for no.). Gianna, no! Ma che dici! Sono cattolico! Sono proprio, cento percento, cattolico!”
Scratch a Sicilian, I heard somewhere, and you’ll find a Saracen. Never mind that the two-plus centuries of Arab domination of the island ended more than a millennium ago.
*****
NOTE: There’s a new book written by Alfonso Campisi, Ifriqiyya and Sicily: A Mediterranean Twinning, that retraces Sicily’s Arab history, but I haven’t been able to find it online. For a good summary on Arabs in Sicily click this link to Best of Sicily Magazine.
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January 10, 2010
In my new incarnation as a siciliana, I look around wide-eyed. Then I
mimic
copy
follow
ape
echo.
Above is my version of the famous staircase at Caltagirone. The 25 tiled steps are disturbingly steep and narrow, a sheer cliff that I scale like a mountaineer.
The real deal in baroque Caltagirone is wide and grand—142 steps high and the size of a two-lane highway.
The old scala—tiled in the 1950s—bears motifs from as far back as the 10th century and bursts with vivid Caltagirone colors: sunny citrus, shiny indigo, acid green. There are mythic birds and beasts, nobles, flowers, and geometric designs. Sicilians learned majolica production from the Arabs, who had a “monumental influence” on Sicily, and many of the Escher-like designs of North African zellij found their way here.
My tumbledown staircase turned into an ordeal, the way these things do. The work dragged on for a year and a half, longer than it took to tile the entire grand staircase at Caltagirone.
Come è possibile, you ask?
Well, I measured only one step before placing the entire order for 100 hand-painted tiles, assuming the steps were of equal size.
Oh, you naïve straniera you.
My stonemason shook his head sadly and managed to grind down some of the tiles without spoiling the designs too much—and even chink-chinked away at some of the too-small steps. But for the too-big steps I measured again, ordered again, waited again, dashed back and forth to Caltagirone, waited some more.
Not only that: I had to sack the mason for an unrelated disaster in the middle of things (a blog topic for later if I dare).
In the end, though, my pesky staircase has gotten hold of my heart. It’s sweet. “Nun si mancia meli senza muschi,” as Sicilians say. You can’t eat honey without flies.
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Jann Huizenga
December 3, 2009
For a year my showers were icy, my radiators cold. The new Renzo Piano stovetop just sat there, shiny and useless. I’d filed a dichiarazine and oodles of other papers, had a friend fake signatures and make phone calls when I wasn’t in town, shelled out €450 in utility fees at the post office, lost hours in grouchy mobs hoping for face time with a bureaucrat. I fawned, flirted, cajoled, and sobbed. After each trauma I self-medicated with chocolate.
Then one fine day in October, Enelgas—like God Almighty—said Let There Be Gas.
The experience soured me on bureaucrats, known here as fannuloni, slackers.
But I could no longer put off a visit to the dreaded water office, l’ufficio idrico. It was time to fess up that I hadn’t paid a centesimo for water since buying the house in 2007, nor even reported a change of ownership.
I take a number, A30, and wait. The slip of paper in my fist bears no relation to what’s flashing on the wall monitor, F6.
“Non funziona,” says a farmer in from the countryside. The crowd swells. We take matters into our own hands and politely number off.
Finally seated at the sportello, I’m shooed away. You must, says the woman, purchase a marca di bollo at the tabacchaio, then proceed to the post office to pay another fee. Which I do. Back at the water office, my bureaucrat pulls out a form from a cracked blue folder and writes the date. “Friday the 13th!” she says. “A lucky day!” (Just goes to show how topsy-turvy things are here.) The clock above her head is running ninety minutes fast.
I hand over my passport, my codice fiscale, and my water meter reading. Clickety-clack goes her keyboard.
“Our computer does not accept your name.”
Perché?
“There is no key for J.” She fusses and gripes and stares at the screen. “And no key for H.”
She calls over the boss. After much ado, he locates the problematic letters. The printer whirrs, spitting papers onto the floor.
The name is spelled wrong; the date of birth incorrect. Corrections are made; the printer whirrs again. More signatures required.
“Are things the same in America as here?” my bureaucrat asks.
“Well, there’s less paperwork there.”
This produces a sudden outburst. “O, siamo maestri della bureaucrazia!” We are the maestros of bureaucracy.
An understatement, seems to me. I slink out of the office across Piazza San Giovanni to Caffè Italia, where I calm myself with a chocolate eclair and hot chocolate thick as pudding.
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