If God Wills It: A Story of Leftover Linguistics

January 12, 2009

A reader emailed to ask me about Arab influences in southeast Sicily—in addition to the majolica mentioned in my last post.

There are so many leftover traces!

I want to share a personal story.

Do you see the man on the left, in the baseball cap? That’s Emanuele, assistant to my beloved (new) stonemason, Giorgio, the cap-less fellow, who warbles Sicilian love songs as he works, though that’s beside the point.

Here is a typical exchange between Emanuele and me:

Me, shaking his hand: A domani! See you tomorrow!

Him: Se Dio lo vuole, if God wills it.

Me: I think you’ll be able to finish tiling around the bidet.

Him: Se e la voglia di Dio, if it is the will of God.

When I first met Emanuele, I’d just returned from Morocco, where Inshallah, God willing, is a constant refrain. The fact that he used the same refrain astonished me. Curiosity got the better of me and I asked if he was Muslim.

His eyes bulged from their sockets at this suggestion, and his head jerked back on his thick neck (an Arab gesture for no.). Gianna, no!  Ma che dici! Sono cattolico! Sono proprio, cento percento, cattolico!”

Scratch a Sicilian, I heard somewhere, and you’ll find a Saracen. Never mind that the two-plus centuries of Arab domination of the island ended more than a millennium ago.

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NOTE: There’s a new book written by Alfonso Campisi, Ifriqiyya and Sicily: A Mediterranean Twinning, that retraces Sicily’s Arab history, but I haven’t been able to find it online. For a good summary on Arabs in Sicily click this link to Best of Sicily Magazine.

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Spare Me the Bridge to Sicily

January 3, 2010

In early 2008 I met an American engineer at a moving sale he and his wife were hosting at their posh apartment in Rome. He’d been twiddling his thumbs for two years in Italy, waiting around to start work on the suspension bridge to Sicily. Prodi was in, Berlusconi was out, and Berlusconi’s plans for the bridge had been scrapped. I bought some throw pillows from the engineer and wished him well. I was glad to see him give up and go home.

Well, Berlusconi is in again—with what seems like a vice grip on Italy—and the bridge project is very much back. In fact, there was some shoving around of dirt at the construction site near Reggio Calabria on December 23, sort of a faux inauguration, and I’m sad. They’ll ravage the fragile Straits of Messina—home to the mythic Scylla and Charybdis—with tons of concrete and sludge, pillars tall as the Empire State Building, and the greed of developers and mafia bosses.

Sicily should retain her mystique as an island, remain physically and culturally discrete. OK, it’s true that I’m a reactionary here. I want to give the local populace a good shake and say, Stop, amici! Dust off your accordions. Don your native costumes. Bring back the public baths. Make Sicilian the official language. Return to the puppet theater of your vanished world.

But most of my Sicilian friends agree with me about the bridge. Yes, we know it’s a royal pain to wait in those lines for the ferry. Yes, Messina’s a mess to drive through. But doesn’t Italy have more worthy projects? Like finishing the A3 highway between Reggio and Naples? Saving L’Acquila? Improving rail service in Sicily and the rest of southern Italy? Solving the perennial water crisis of inland Sicily? Preserving Sicily’s endangered antiquities? Preventing landslides in Messina?

Is this bridge a monument to ego? Something like the Foro Mussolini or the Vittoriano (“chopped,” as Peter Davy wrote, “with terrible brutality into the…hill”)?

Ach! Spare Sicily, per carità, from mass tourism, environmental brutality, and what D.H. Lawrence called “hateful homogeneous world-oneness.”

Stop sign in Siracusa, Sicily

What do you think? I’d love to hear from you. Buon anno a tutti.

For more on the subject click here or here.

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Sicilian Stallions?

December 12, 2009

Girls, would you let this fellow…?

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Well, I did. Not only did I let him sell me a melon far bigger than I could ever eat, I let him feed me some. Its November flesh was pinky-orange, perfumed, and so overripe and juicy that I was dribbling like a love-struck fool.

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The man could have sold me just about anything—rotten apples, stinking fish, whatever.

When my sister, an Angeleno, arrived in Sicily for the first time several years ago, she took a look around and said,  “Very pretty men. We should be Hollywood scouts.”

They’re like stallions, Sicilian men—tossing thick manes and flashing wild black eyes, putting out cigarettes as if they’re pawing the ground with a hoof.

Not everyone is impressed. Seated at a cafe on a Sunday afternoon, while my sister and I murmured our approval of the preening Antonio Banderas-types trotting up and down the street, my Sicilian friends Giò and Rosaria, 30-something divorcees, pulled sour faces. “Horrid!” they cried. “Horrid!”

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Baarìa

December 7, 2009

Sicilian director Giuseppe Tornatore’s new autobiographical epic, Baarìa, has been out here for a few months. I haven’t seen it yet but love the poster, which looks great in the context of Sicily.

Below are shots of Teatro Garibaldi in Piazza Armerina and a wall in Modica.

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An American friend saw the film first in Bologna and then in Palermo. She said there was much more laughter in Palermo—the audience was apparently picking up on the director’s “in” jokes.

Baarìa, by the way, is dialect for Bagherìa—a town on the coast just east of Palermo where Tornatore grew up.

Here’s a short review of the film in the Guardian.

Fannuloni and Chocolate

Jann Huizenga

December 3, 2009

For a year my showers were icy, my radiators cold. The new Renzo Piano stovetop just sat there, shiny and useless. I’d filed a dichiarazine and oodles of other papers, had a friend fake signatures and make phone calls when I wasn’t in town, shelled out €450 in utility fees at the post office, lost hours in grouchy mobs hoping for face time with a bureaucrat. I fawned, flirted, cajoled, and sobbed. After each trauma I self-medicated with chocolate.

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Then one fine day in October, Enelgas—like God Almighty—said Let There Be Gas.

The experience soured me on bureaucrats, known here as fannuloni, slackers.

But I could no longer put off a visit to the dreaded water office, l’ufficio idrico. It was time to fess up that I hadn’t paid a centesimo for water since buying the house in 2007, nor even reported a change of ownership.

I take a number, A30, and wait. The slip of paper in my fist bears no relation to what’s flashing on the wall monitor, F6.

Non funziona,” says a farmer in from the countryside. The crowd swells. We take matters into our own hands and politely number off.

Finally seated at the sportello, I’m shooed away. You must, says the woman, purchase a marca di bollo at the tabacchaio, then proceed to the post office to pay another fee. Which I do. Back at the water office, my bureaucrat pulls out a form from a cracked blue folder and writes the date. “Friday the 13th!” she says. “A lucky day!”  (Just goes to show how topsy-turvy things are here.) The clock above her head is running ninety minutes fast.

I hand over my passport, my codice fiscale, and my water meter reading. Clickety-clack goes her keyboard.

“Our computer does not accept your name.”

Perché?

“There is no key for J.” She fusses and gripes and stares at the screen. “And no key for H.”

She calls over the boss. After much ado, he locates the problematic letters. The printer whirrs, spitting papers onto the floor.

The name is spelled wrong; the date of birth incorrect. Corrections are made; the printer whirrs again. More signatures required.

“Are things the same in America as here?” my bureaucrat asks.

“Well, there’s less paperwork there.”

This produces a sudden outburst. “O, siamo maestri della bureaucrazia!” We are the maestros of bureaucracy.

An understatement, seems to me. I slink out of the office across Piazza San Giovanni to Caffè Italia, where I calm myself with a chocolate eclair and hot chocolate thick as pudding.

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